An excerpt:
Whereas listeners might reasonably experience that orchestration both ways, readers either understand a foreign language or they don’t. However, like how the orchestration of the Carousel Waltz must be compelling in either instrumentation, a story that makes use of dialect or foreign language must be compelling either way. Non-fluent readers must never feel as though something is missing but fluent readers must never feel as though anything is extraneous.Go on. Read the whole thing.
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